{"id":1615,"date":"2019-06-05T14:31:20","date_gmt":"2019-06-05T12:31:20","guid":{"rendered":"http:\/\/www.classicalguitar.de\/?page_id=1615"},"modified":"2024-03-29T20:41:00","modified_gmt":"2024-03-29T19:41:00","slug":"sheet-music","status":"publish","type":"page","link":"https:\/\/www.classicalguitar.de\/en\/for-guitarists\/sheet-music\/","title":{"rendered":"Sheet Music"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.19.5″ global_colors_info=”{}”]<\/p>\n

Guitar solo >><\/a> <\/b> Flute (Violin, Clarinet, Violoncello) and Guitare >><\/a>\u00a0<\/b>Voice and Guitare >><\/a> <\/b> Guitare quartet >><\/a> <\/b>you can view most of the music, please contact me for any questions via E-mail<\/strong><\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”gitarresolo” _builder_version=”4.16″ background_color=”#e7ab37″ border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”0px|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.19.5″ global_colors_info=”{}”]<\/p>\n

Guitar solo<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/08\/albeniz.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”0px|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}” custom_padding=”||0px|||”]<\/p>\n

<\/h3>\n

Isaac Alb\u00e9niz<\/h3>\n

(Transcription: Klaus J\u00e4ckle)<\/p>\n

Rumores de la Caleta<\/strong>, edition hage, N\u00fcrnberg, eh 4001 (pdf)<\/a><\/strong><\/p>\n

Asturias (version in a minor) view and print online<\/a>
<\/strong><\/p>\n

Sevilla (version in A major) <\/strong>view and print online<\/strong><\/a>
<\/strong><\/p>\n

C\u00f3rdoba view and print online<\/a>
<\/strong><\/p>\n

Granada (version in D major) view and print online<\/a>
<\/strong><\/p>\n

Mallorca (Barcarola) op. 202 view and print online<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2023\/04\/Screenshot-10.png” title_text=”Screenshot (10)” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.19.5″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Johann Sebastian Bach<\/h3>\n

(Transcr.: Klaus J\u00e4ckle) Ciaccona from BWV 1004 (pdf)<\/a><\/strong> see also CD Bach<\/a><\/strong><\/p>\n

Version in e-minor, much more suitable to guitar in my opinion \ud83d\ude42
<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Johannes Brahms<\/h3>\n

(Bearb.: Klaus J\u00e4ckle) Walzer op. 39 Nr. 15<\/strong> view and print online<\/a><\/strong> <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2023\/04\/2022-11-21Foto2mit-Text.jpg” title_text=”2022-11-21Foto2mit Text” url=”https:\/\/youtu.be\/fyEPda_PYO8″ url_new_window=”on” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.19.5″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.1″ link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n

Fr\u00e9d\u00e9ric Chopin<\/h3>\n

(Transcr.: Klaus J\u00e4ckle)<\/p>\n

Pr\u00e9lude Nr. 15 “Regentropfen”<\/strong> (pdf)<\/strong><\/a><\/p>\n

Etude op.10 Nr.3 “Tristesse” (pdf)<\/a>
\n<\/strong><\/p>\n

Etude op.25 Nr. 1 “Aeolian Harp” (pdf)<\/a><\/strong><\/p>\n

Nocturne op.9 Nr.2 (pdf)<\/a><\/strong><\/p>\n

Vals op.34 Nr.2 (pdf)<\/a><\/strong>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2023\/04\/Eespere-Motus-212×300.jpg” title_text=”Eespere Motus” url=”https:\/\/www.edition49shop.de\/instrumentalmusik\/gitarre\/168\/motus” url_new_window=”on” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.19.5″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.19.5″ global_colors_info=”{}”]<\/p>\n

Ren\u00e9 Eespere<\/h3>\n

b. 1953 (Hrsg.: Klaus J\u00e4ckle) Motus (2003) <\/strong>dedicated to Klaus J\u00e4ckle, Edition 49, e49 02046-00 Ansehen, Anh\u00f6ren<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.19.5″ global_colors_info=”{}”]<\/p>\n

<\/h3>\n

Heinrich Hartl<\/h3>\n

b. 1953 (Hrsg.: Klaus J\u00e4ckle) Sonatina quasi una Fantasia op.13 (1985) <\/strong><\/p>\n

Rasgueado del viento op.118 (2002) <\/strong>dedicated to Klaus J\u00e4ckle<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2023\/04\/HeiderW-sw.jpg” title_text=”HeiderW-sw” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.19.5″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Werner Heider<\/h3>\n

b. 1930 Ausdruck (1997) <\/strong>dedicated to Klaus J\u00e4ckle Edition Gravis EG 626 <\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Stefan Hippe<\/h3>\n

geb. 1966 Dies Irae (2003) <\/strong>Klaus J\u00e4ckle gewidmet Manuskript Stefan Hippe [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Stefan David Hummel<\/h3>\n

geb. 1968 Strukturen (1990) <\/strong>Klaus J\u00e4ckle gewidmet Eigenverlag S.D. Hummel [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/08\/Leicht-250-2.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/08\/GuitarGuitarVorderseite1-212×300.jpg” title_text=”GuitarGuitarVorderseite%911%93″ url=”https:\/\/www.cascha.com\/296\/guitar_guitar_mit_2_cds” url_new_window=”on” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.19.5″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width=”40%” module_alignment=”right” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Klaus J\u00e4ckle \/ Krzisztof Borkowski<\/h3>\n

Leichte Spielst\u00fccke f\u00fcr Gitarre, Band 1 <\/strong>edition hage, N\u00fcrnberg, eh 4010 Leichte Spielst\u00fccke f\u00fcr Gitarre, Band 2 <\/strong>edition hage, N\u00fcrnberg, eh 4011 \u00a0 \u00a0 \u00a0 GuitarGuitar <\/strong>Die 100 sch\u00f6nsten Melodien von Klassik bis Pop f\u00fcr Gitarre Leicht bis mittelschwer arrangiert von Klaus J\u00e4ckle und Krzysztof Borkowski edition hage, N\u00fcrnberg, edition hage shop<\/a><\/strong><\/p>\n

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GuitarGuitar
<\/strong>Die 100 sch\u00f6nsten Melodien von Klassik bis Pop f\u00fcr Gitarre
Leicht bis mittelschwer arrangiert von Klaus J\u00e4ckle und Krzysztof Borkowski<\/p>\n

Mit 2 CDs, eingespielt von Klaus J\u00e4ckle
edition hage, N\u00fcrnberg, edition hage shop<\/strong><\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2022\/07\/1-213×300.png” title_text=”1″ url=”https:\/\/www.scoreexchange.com\/scores\/580790.html” url_new_window=”on” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.19.5″ transform_rotate=”0deg|0deg|342deg” max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.19.5″ global_colors_info=”{}”]<\/p>\n

<\/h3>\n

Domenico Scarlatti<\/h3>\n

(Transcr.: Klaus J\u00e4ckle)<\/p>\n

Sonata A major, K.208<\/strong> Andante Cantabile <\/strong>view and print<\/a><\/strong><\/p>\n

Sonata A major, K.209\u00a0<\/strong> view and print<\/a><\/strong><\/p>\n

Sonata e minor, K 87 view and print<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2023\/04\/Screenshot-8.png” title_text=”Screenshot (8)” url=”https:\/\/youtu.be\/WNrO77BMJ-c” url_new_window=”on” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.19.5″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Robert Schumann<\/h3>\n

(Transcr.: Klaus J\u00e4ckle) Tr\u00e4umerei aus Kinderszenen op.15\/7 (pdf)<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”floete” _builder_version=”4.16″ background_color=”#e7ab37″ border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.19.5″ global_colors_info=”{}”]<\/p>\n

Flute (Violin, Clarinet, Violoncello) and Guitare<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”27px|0px|27px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Isaac Alb\u00e9niz<\/h3>\n

(Bearb.: Klaus J\u00e4ckle) Capricho Catalan<\/strong> f\u00fcr Fl\u00f6te (Violine) und Gitarre (pdf)<\/strong><\/a> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/08\/Noten.12.jpg” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width=”44%” max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width=”51%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Johann Sebastian Bach<\/h3>\n

(Bearb.: Klaus J\u00e4ckle)<\/p>\n

Italienisches Konzert BWV 971, F-Dur<\/strong>\u00a0f\u00fcr Fl\u00f6te (Violine) und Gitarre (pdf)<\/a><\/strong>on <\/a>CD Bach<\/a><\/strong><\/p>\n

Sonata C-Dur, BWV 1033<\/strong> f\u00fcr Fl\u00f6te und Gitarre (pdf)<\/a><\/strong> edition 49 shop<\/a><\/strong> on CD Jardin de Dolly<\/a><\/strong><\/p>\n

Sonata E-Dur, BWV 1035<\/strong> f\u00fcr Fl\u00f6te und Gitarre (pdf)<\/a><\/strong> edition 49 shop<\/a><\/strong> on <\/a><\/a>CD Bach<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/08\/Noten.10.jpg” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width=”45%” max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Carl Philipp Emanuel Bach<\/h3>\n

(Bearb.: Klaus J\u00e4ckle)<\/p>\n

Sonata e-moll<\/strong> f\u00fcr Fl\u00f6te und Gitarre\u00a0(pdf)<\/a><\/strong> edition 49 shop<\/a><\/strong><\/p>\n

Sonata G-Dur, \u00bbHamburger Sonate\u00ab<\/strong> f\u00fcr Fl\u00f6te und Gitarre (pdf)<\/strong><\/a> edition 49 shop<\/a><\/strong> Siehe CD Zauber der Fl\u00f6te<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2023\/08\/Screenshot-2023-08-31-143654.png” title_text=”Screenshot 2023-08-31 143654″ url=”https:\/\/youtu.be\/gTIGu4d6X8g?si=opwA1cuvzEBMCw-P” url_new_window=”on” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.19.5″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Enrique Granados<\/h3>\n

(Bearb.: Klaus J\u00e4ckle)<\/p>\n

Andaluza<\/strong> f\u00fcr Fl\u00f6te (Violine) und Gitarre (pdf) <\/a><\/strong>Listen by clicking the photo<\/em><\/a><\/p>\n

Oriental<\/strong> f\u00fcr Fl\u00f6te (Violine) und Gitarre (pdf)<\/a><\/strong><\/p>\n

Sardana<\/strong> f\u00fcr Violoncello und Gitarre (pdf)<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Heinrich Hartl<\/h3>\n

b. 1953 Stimmungen op.57 (1992) <\/strong>f\u00fcr Fl\u00f6te und Gitarre Dem Duo Rie\u00dfbeck \/ J\u00e4ckle gewidmet<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Werner Heider<\/h3>\n

b. 1930 Seligkeiten \u2013 F\u00fcnf Inventionen f\u00fcr Fl\u00f6te und Gitarre (1987\/1998) <\/strong>Dedicated to Duo Rie\u00dfbeck \/ J\u00e4ckle gewidmet Edition Gravis EG 711<\/a><\/strong> on CD Nuances<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Jules Massenet<\/h3>\n

(Bearb.: Klaus J\u00e4ckle) Thais \u2013 Meditation<\/strong>\u00a0f\u00fcr Fl\u00f6te (Violine) und Gitarre (pdf)<\/a><\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2023\/04\/e49-cover-default-212×300.jpg” title_text=”e49-cover-default” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.19.5″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Felix Mendelssohn-Bartholdy<\/h3>\n

(Transcr.: Klaus J\u00e4ckle)<\/p>\n

Lieder ohne Worte <\/strong>f\u00fcr Fl\u00f6te (Violine, Klarinette, Violoncello) und Gitarre<\/p>\n

op.19 Nr.4, G-Dur (pdf)<\/a> edition 49 shop<\/a><\/strong><\/p>\n

op.30 Nr.6, g-moll, Gondellied (pdf)<\/a> edition 49 shop<\/a><\/strong><\/p>\n

op.38 Nr.2, h-moll (pdf)<\/a> edition 49 shop<\/a><\/strong><\/p>\n

op.62 Nr.6, A-Dur, Fr\u00fchlingslied (pdf)<\/a> edition 49 shop<\/a><\/strong><\/p>\n

op.67 Nr.2, a-moll (pdf)<\/a> edition 49 shop<\/a><\/strong><\/p>\n

op.67 Nr.3, B-Dur (pdf)<\/a> edition 49 shop<\/a><\/strong><\/p>\n

op.106, D-Dur (pdf)<\/a> edition 49 shop<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2023\/04\/Screenshot-2023-04-24-at-13-43-52-jackle_mozart_sonate_kv_545.pdf-90341-01.pdf-300×200.png” title_text=”Screenshot 2023-04-24 at 13-43-52 jackle_mozart_sonate_kv_545.pdf – 90341-01.pdf” url=”https:\/\/www.edition49shop.de\/instrumentalmusik\/violine\/2565\/klaviersonate-kv-545-bearbeitet-fuer-floete-und-gitarre?c=0″ url_new_window=”on” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.19.5″ transform_rotate=”0deg|0deg|349deg” max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Wolfgang Amadeus Mozart<\/h3>\n

(Bearb.: Klaus J\u00e4ckle)<\/p>\n

Sonata C-Dur, KV 545<\/strong> f\u00fcr Fl\u00f6te und Gitarre (pdf)<\/a><\/strong><\/p>\n

Mozarts ber\u00fchmte \u00bbSonata facile\u00ab! edition 49 shop<\/a><\/strong> Siehe CD Zauber der Fl\u00f6te<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Domenico Scarlatti<\/h3>\n

(Bearb.: Klaus J\u00e4ckle)<\/p>\n

Sonata K 162, E-Dur <\/strong>f\u00fcr Fl\u00f6te (Violine) und Gitarre (pdf)<\/a> edition 49 shop<\/a><\/strong><\/p>\n

Sonata K 292, e-moll <\/strong>f\u00fcr Fl\u00f6te (Violine) und Gitarre edition 49 shop<\/a><\/strong><\/p>\n

Sonata K 380, E-Dur <\/strong>f\u00fcr Fl\u00f6te (Violine) und Gitarre (pdf)<\/a> edition 49 shop<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/08\/libertango-250.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Astor Piazzolla<\/h3>\n

(Bearb.: Klaus J\u00e4ckle)<\/p>\n

Libertango <\/strong>f\u00fcr Fl\u00f6te (Violine) und Gitarre (pdf)<\/a> edition margaux shop<\/a> <\/strong><\/p>\n

Siehe CD Zauber der Fl\u00f6te und CD Tango<\/a> <\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Camille Saint-Saens<\/h3>\n

(Bearb.: Klaus J\u00e4ckle) Der Schwan (aus Karneval der Tiere) <\/strong>f\u00fcr Violoncello und Gitarre (pdf)<\/a><\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/08\/schubert-250.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Franz Schubert<\/h3>\n

(Bearb.: Klaus J\u00e4ckle)<\/p>\n

Arpeggione-Sonate a-moll, D 821 <\/strong>f\u00fcr Viola und Gitarre Doblinger, Wien, 05 932<\/p>\n

Arpeggione-Sonate a-moll, D 821 <\/strong>f\u00fcr Violoncello und Gitarre Doblinger, Wien, 05 959<\/p>\n

\u201eDie Bearbeitung von Klaus J\u00e4ckle kann man uneingeschr\u00e4nkt als gegl\u00fcckt ansehen … Fazit: erstklassige Musik in einer gut gestalteten Ausgabe \u2013 empfehlenswert!\u201d Gitarre&Laute, 2\/1991<\/p>\n

Sonate A-Dur, D 664 <\/strong>f\u00fcr Fl\u00f6te (Violine) und Gitarre (pdf)<\/a><\/strong> edition 49 shop<\/a><\/strong><\/p>\n

Sonatina D-Dur op.137, D 384 <\/strong>f\u00fcr Fl\u00f6te (Violine) und Gitarre (pdf)<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Johann Strauss<\/h3>\n

(Bearb.: Klaus J\u00e4ckle) Fr\u00fchlingsstimmen – Walzer op. 410 <\/strong>f\u00fcr Fl\u00f6te (Violine) und Gitarre (pdf)<\/a><\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Friedemann Amadeus Treiber<\/h3>\n

geb. 1971<\/p>\n

Stimmungsbilder \u2013 3 Polymetren <\/strong>f\u00fcr Violine und Gitarre (1995\/1999) Klaus J\u00e4ckle gewidmet<\/p>\n

In Memoriam… Tango <\/strong>f\u00fcr Violine und Gitarre (1995\/1999) Klaus J\u00e4ckle gewidmet<\/p>\n

Siehe CD Tango<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Klemens Vereno<\/h3>\n

geb. 1957 …schatten von sternen… <\/strong>f\u00fcr Fl\u00f6te und Gitarre (1998)<\/p>\n

Klaus J\u00e4ckle gewidmet Siehe CD Nuances<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”gesang” _builder_version=”4.16″ background_color=”#e7ab37″ border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.19.5″ global_colors_info=”{}”]<\/p>\n

Voice and Guitare<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

John Dowland<\/h3>\n

(Bearb.: Klaus J\u00e4ckle)<\/p>\n

Flow, my tears <\/strong>f\u00fcr Gesang und Gitarre Ansehen und ausdrucken<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

C\u00e9sar Franck<\/h3>\n

(Bearb.: Klaus J\u00e4ckle)<\/p>\n

Ave Maria <\/strong>f\u00fcr Gesang und Gitarre (pdf)<\/a><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2023\/04\/Titel_web-300×297.jpg” title_text=”Titel_web” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.19.5″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2019\/06\/Titel-2-neu-300×297.jpg” title_text=”Titel-2-neu” url=”https:\/\/youtu.be\/sqxWrL8BzTw” url_new_window=”on” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.19.5″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Franz Schubert<\/h3>\n

(Bearb.: Klaus J\u00e4ckle)<\/p>\n

Winterreise D 911 <\/strong>f\u00fcr Tenor und Gitarre<\/p>\n

 <\/p>\n

Nr.5 Der Lindenbaum view and print online<\/a> <\/strong><\/p>\n

View CD Winterreise<\/a><\/strong> <\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

<\/h3>\n

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<\/h3>\n

Franz Schubert<\/h3>\n

(Bearb.: Klaus J\u00e4ckle)<\/p>\n

Die Sch\u00f6ne M\u00fcllerin D 795 <\/strong>f\u00fcr Tenor und Gitarre<\/p>\n

By interest in the music of the complete cycle please contact me directly!<\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”quartett” _builder_version=”4.16″ background_color=”#e7ab37″ border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Gitarrenquartett<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2023\/04\/AlbenizElAlbaicin_1-AlbenizElAlbaicin_1-300×211.png” title_text=”AlbenizElAlbaicin_1 – AlbenizElAlbaicin_1″ align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.19.5″ transform_rotate=”0deg|0deg|351deg” max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Isaac Alb\u00e9niz<\/h3>\n

(Bearb.: Klaus J\u00e4ckle) El Albaicin<\/strong> (aus Iberia III) (pdf)<\/a><\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/05\/transparent.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Johann Pachelbel<\/h3>\n

(Bearb.: Klaus J\u00e4ckle) Kanon<\/strong> (pdf)<\/a><\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#fffddc” border_width_top=”1px” border_color_top=”#e7ab37″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.classicalguitar.de\/wp-content\/uploads\/2018\/08\/bolero-250.png” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.16″ max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|tablet” module_alignment=”right” custom_margin=”|||” border_color_all=”#e7ab37″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Maurice Ravel<\/h3>\n

(Bearb.: Klaus J\u00e4ckle) Bolero (pdf)<\/a> edition margaux shop<\/a><\/strong> Siehe CD Bolero<\/a><\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Guitar solo >> Flute (Violin, Clarinet, Violoncello) and Guitare >>\u00a0Voice and Guitare >> Guitare quartet >> you can view most of the music, please contact me for any questions via E-mailGuitar solo Isaac Alb\u00e9niz (Transcription: Klaus J\u00e4ckle) Rumores de la Caleta, edition hage, N\u00fcrnberg, eh 4001 (pdf) Asturias (version in a minor) view and print […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1611,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/www.classicalguitar.de\/en\/wp-json\/wp\/v2\/pages\/1615"}],"collection":[{"href":"https:\/\/www.classicalguitar.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.classicalguitar.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.classicalguitar.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.classicalguitar.de\/en\/wp-json\/wp\/v2\/comments?post=1615"}],"version-history":[{"count":17,"href":"https:\/\/www.classicalguitar.de\/en\/wp-json\/wp\/v2\/pages\/1615\/revisions"}],"predecessor-version":[{"id":2387,"href":"https:\/\/www.classicalguitar.de\/en\/wp-json\/wp\/v2\/pages\/1615\/revisions\/2387"}],"up":[{"embeddable":true,"href":"https:\/\/www.classicalguitar.de\/en\/wp-json\/wp\/v2\/pages\/1611"}],"wp:attachment":[{"href":"https:\/\/www.classicalguitar.de\/en\/wp-json\/wp\/v2\/media?parent=1615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}